Friday, August 27, 2010

Movie Of The Day - Pulp Fiction

PULP FICTION (1994) d: Quentin Tarantino

'Pulp Fiction' is just all kinds of brilliant. Most likely all of you have seen it. If by some chance you haven't then go watch it like now! It is an amazing film and one that introduced the world to Quentin Tarantino. I was already a huge fan after seeing 'Reservoir Dogs' on video when it came out in the spring of 1993. I was like,"Who is this guy because this movie is incredible?!" I followed his career from penning 'True Romance' and then to his second film 'Pulp Fiction'. A film told like a novel (something that has become his trademark) where it jumps around. You follow characters for one story and then jump to other characters for another story but some events take place before or after others so not everything is actually in chronological order. It's never confusing though. And of course Tarantino's pention for dialogue is at play here in full force.

I had not seen it in many years but I was lucky enough to see it on the big screen at the Gene Siskel Film Center this past week. Enough time had passed where the experience was both new and like visiting an old friend. And a reminder that Tarantino is just a genius.

Sunday, August 22, 2010

Movie Of The Day - Taxi Driver

TAXI DRIVER (1976) d: Martin Scorsese

For my birthday this year I treated myself to a movie. I realize that may not sound overly special but this was a special showing. At the Gene Siskel Film Center they are doing a summer long event showing different films of Quentin Tarantino and films that have inspired him. Well, one of the inspirations for Tarantino is also one of mine. The fact that they were showing it on my birthday meant that I had to go because something was telling me I needed to. And did I ever.

Knee deep in trying to get my second feature film going I go through bouts of doubt, confusion, anger, and even resentment. So it's nice to sit back and watch something that inspires and even humbles me. I've met a lot of filmmakers over the years and it's always refreshing to meet one that has a similar appreciation that I have for not only films but filmmaking. However, I have met several that think of themselves as either being above where they actually are or just flat out think they are better than others. Now if they made something that was worth bragging about I would cut them some slack but most of them have not. Some have not even made anything at all. At times I may say or do something that makes me feel a bit like the top banana but then I get a nice kick in the pants from filmmakers that remind me that I have much to learn and a long way to go. I've mentioned some of the filmmakers before that humble me - Alfred Hitchcock, Akira Kurosawa, John Ford, Howard Hawks. Martin Scorsese is another.

My favorite Scorsese film (and that is hard to say because there are so many great ones) is 'Taxi Driver'. The bizarre tale of following a man, Travis Bickle (played unlike any other actor could pull off by Robert DeNiro who's birthday is also the same as mine so only fitting even more), who is on the verge of insanity but at the same time basically disappears into society. Another face in the crowd. He drives a taxi at night but becomes obsessed with a woman Betsy (Sybill Shepard) who works at a campaign office and the desire to take out the politician she is working for after his attempts to woo her fail. He then has a similar, albeit different, obsession with a young prostitute Iris (Jodie Foster) whom he wants to save from her pimp Sport (Harvey Keitel). The fine line between being a villain (killing a politician) and a hero (killing a pimp)? Fascinating question. A film that could be picked apart to no end for sure. But the artistry with how it is told is something that is just staggering. And the absolutely amazing score by one of cinema's great composers Bernard Herrmann is, dare I say, one of the best ever done. It perfectly captures the harsh off balance nature of the film with the beautiful artistry of the images.


The film lives in a world of its own. It is almost one you can't categorize. Scorsese has said that a lot of the images were inspired by horror films yet the film is not really a horror film. The dark nature of the film keeps it from being a drama. There are even some good comical moments but the film is far from a comedy. It is its own film. It is just simply 'Taxi Driver'. One of my all time favorite films. I cannot think of a better birthday present to myself than to experience it once again on the big screen. Plus I needed the humbling and inspiration.

Monday, July 26, 2010

Movie Of The Day - Shutter Island

SHUTTER ISLAND (2010) d: Martin Scorsese

It is no secret that while I may be outnumbered on this that I was no fan of Martin Scorsese's Academy Award winning film 'The Departed'. In fact, I think it is pretty horrible. But many of my friends think I am nuts for that. It also gets worse when I say that I think 'Gangs Of New York' is brilliant. That being said, I felt that Scorsese, whom I absolutely admire and lionize, is a filmmaker I was beginning to fear was moving past his golden era. That maybe his good days were behind him. While I felt that 'Gangs' was (and is) incredible that perhaps he had put so much into the film (I believe it took him like 25 years to have it made into a movie) and the lukewarm response it got might have made him doubt himself. His following films, for me anyhow, were pretty subpar. While I dislike 'The Departed', 'The Aviator' was decent albeit a mixed bag. Scorsese, a lover of the horror genre, decided to venture into genre territory with 'Shutter Island'. The main problem with the film is that I figured out the big twist almost immediately. Actually I was guessing what it was before I ever saw the movie. Not every last detail but the main aspect of it. So it never surprised me. In fact, it left me a bit let down. That being said, and upon a second viewing, I will say that this is Scorsese's best since 'Gangs of New York' in my opinion. While the big twist was no surprise for me I did appreciate the telling of the story. It is told well. And on my second viewing I really appreciated the unfolding of it and the technicalties of it. It is one amazing film visually. Scorsese knows when to speed things up and when to slow them down. The feel of the film is one of unease and nervousness. And Leonardo Dicaprio, who can be hit or miss with me, is excellent in this part of a US Marshall sent to Shutter Island, a hospital for the criminally insane located on an island, in search of a missing patient. Only he is hiding secrets of his own.

While the big surprise twist was no big surprise for me (although if it is for you then I think you will love this flick) it is still amazing how it unfolds and the look and feel just show how much of a master Scorsese is. This film holds up on the second viewing. In fact, I liked it a lot more on the second viewing. Which makes the knowing of the big twist insignificant and the sign of a great film. I'm glad Scorsese hasn't lost it. Just please no more 'Departed''s.


Sunday, July 11, 2010

What You Talkin' 'Bout, Willies?

Andre over at the awesome The Horror Digest blog put out a call for people to post things from movies that give them the willies. I tried to mix it up a little by picking some stuff that freaked me out as a kid and some more recent film moments. I listed my ten in alphabetical order.

Side note, is it me or does searching for screen caps a major pain? I could not believe how much it sucked. Search engines seem to turn up everything but what you put in. So not every picture/screencap matches the moment I'm talking about.

Please take notice that a lot of these will contain SPOILERS. My picks:


An American Werewolf In London - As a kid I some how managed to get my dad to take me to see this film. What I didn't know is that I would be traumatized for years to come. The opening scene where David and Jack are being surrounded and eventually attacked by the werewolf messed me up. For years to come if I was ever outside at night, especially near any kind of wooded area, I always wondered if a werewolf was going to come out and get me.


The Amityville Horror - While the actual case is most likely a hoax the film is still a scary tale. And one scene that freaked me out as a kid (and possibly as an adult too but I won't say) is when the young daughter claims she has an imaginary friend who is a pig. One time when the mom comes in and the girl claims she just scared her friend out the window the mom playfully goes to the window to play along only to see two big red eyes staring at her with a pig sound squealing. Heebie jeebies.


Burnt Offerings - Another kid creepy moment which freaked me out has to do with the driver from this movie. The guy appears at one point (which is the actual screen shot above) and it creeped me out.


Creepshow - While my love of 'Creepshow' knows no bounds it was almost unwatchable for me at one point because of the one segment called "The Crate". The first time "Fluffy" attacks a lowly janitor and turns him into a meal freaked me out so much I had to leave the theatre and ended up watching the rest of the segment from the lobby.



The Exorcist - What is probably the scariest film ever for me, and I am sure I could point out several moments, but one specifically is the appearance of the infamous demon face during Father Karrass' dream. The quick flash, while only a few frames long, is enough to make you think the film itself is possessed. I can't even look at the picture. *shivers*


The Eye - One of the Japanese ghost films (among the hundreds that have come out) that I found effective. One scene that made me jump out of my chair was when the lead character, who sees ghosts everywhere, sees a woman who comes right at her claiming to get out of her chair. I am glad no one saw me jump because it literally got me.


Henry Portrait Of A Serial Killer - One of the creepiest and disturbing scenes, and one that made me creeped out even being in my own house, was the infamous scene when Henry and Otis have videotaped their attack on a family and are watching it. It is so disturbing that even the dark humor of the film is no where to be found.


Session 9 - Without a doubt one of the creepiest things I've seen in the last ten years is in this film. When one character sneaks back into the hospital to steal some items he's found buried in a wall he finds getting out is a little hard in this abandoned place. He hears something and when he looks back down the hallway he sees a figure appear. A simple image but one that is just completely scary. Just made my hair stand on end thinking about it.


Paranormal Activity - I was one of the people that found this film really creepy and the one moment that really got to me because it went beyond what I was already freaked out about (sounds, a door closing) is when the lead character is actually dragged out of bed and down the hall. Making you realize things are indeed getting worse.


The Texas Chain Saw Massacre - The first appearance of Leatherface is definitely one that gave me the willies. It was so intense and almost unbelievable because it just happens. No build up. He comes out and hits the guy with the hammer and slams the door shut. So stunning and very shocking.

So these were my picks. I could have listed more but I wanted to have a few different ones. Some childhood picks and more recent ones. List your own and share.

Saturday, July 10, 2010

Movie Of The Day - Schindler's List

SCHINDLER'S LIST (1993) d: Steven Spielberg

When I woke up this morning I didn't expect to be watching this film to start my day. While waiting for my coffee to brew I was flipping around the TV when I came across 'Schindler's List' on cable. I didn't want to stay on it as the subject matter is one that is hard to watch for just entertainment purposes while waiting for your breakfast beverage. But it was near the beginning and I was struck by the incredible cinematography in the stark black and white images. Having not seen the film in many years I had forgotten much about it. My coffee machine let out its steam as it finished brewing but I was no where to be found. Instead I was glued to the TV for 3 hours.

The story of Oskar Schindler a factory owner who profiteered from the use of slave labor during the war only to realize that his pursuit of money was inadvertently saving the lives of many Jews from being executed by the Nazi's. His realization leads him to spend everything he owns to save as many of them as he can. The harsh realism of the way the Nazi's treated and murdered Jews is unlike any other kind of cinema violence. It has a brutality and realistic portrayal unlike any I have seen. I was both enthralled by the incredible artistry of the film from its look and feel to the emotional depth it went leaving me in tears by the end of it. While certain shots and moments I had not forgotten since when I had seen the film before there was much I had forgotten. So the experience was near new.

While 'Jaws' will always be my personal favorite Steven Spielberg film 'Schindler's List' is without a doubt his best film. While not the ideal way to start my day I can think of no better way of spending it.

And yes, I did eventually get my coffee.

Tuesday, June 22, 2010

Doing Some EFX Tests


Going off a few tutorials from the amazing website VideoCopilot.net I did some playing around in After Effects. I'm doing tests for my new film 'Dark Light' (that I wrote about here). These are not effects related to the film itself. Just testing out various methods. These effects are just for fun. They aren't polished as they were each done in a little over an hour.

Using the above still picture I animated it to look like it was live footage from a helicopter. Plus a little added surprise.


This next one I used the same photograph but did a missile test. Plus a slight camera shake and zoom as the explosion happens. There is a lot at work in this one. I couldn't even begin to explain all of the different elements and layers at work here. But look at the above photo and then see everything added.



Elements used include Action Essentials 2 and Optical Flares from VideoCopilot.net, and Particular from Trapcode.

Sunday, June 20, 2010

We're Gonna Need A Bigger Boat

'Jaws' is easily one of my favorite films. It has so much that it is literally something special. It has action, adventure, horror, humor, drama, and even a little emotion. A film that still holds up to this day. What was feared to be an astonishing disaster during its making turned into something that changed the film industry forever. It marked the birth of the summer blockbuster.


A young Steven Spielberg stopped at nothing to make sure his film was not shut down despite an escalating budget and constant technical problems with the film's star - the mechanical shark. Resorting to the Val Lewton technique of not showing the creature but implying its presence led to a stroke of creative genius which went on to terrify audiences who were too afraid to go swimming at their local beach but were more than happy to line up at the movie theatre for the carnage.


Starring the late Roy Scheider and featuring Richard Dreyfuss and Robert Shaw the film is basically the ultimate man versus nature story. A modern day Moby Dick. The last half of the film being the three main characters setting out to sea to track down and kill the monster that has been attacking the local shores. Where this film could have been just a fun film and nothing more instead underneath has a line of drama which is ever so present in the real reactions people have of what is happening. Plus the utter genius of what is perhaps one of, if not my all time, favorite scene where the Robert Shaw character Quint breaks out of the rusty seaman cliche and creates a fully rounded character with the telling of his experience on the Indianapolis. What I affectionately call the "Quint Speech". A moment in a film where something about a character makes them fully realized. Never has this been better done than with this scene. 


So on June 20, 1975 audiences were treated to a film which would both terrify them and yet have them line up around the block for more. A young filmmaker went from being a guy holding a sinking ship afloat (literally) to being one of the biggest directors in film history. Generation after generation discovers this incredible film and it continues to live on. The oft quoted line,"We're gonna need a bigger boat," could be changed to,"We're gonna need a bigger movie theatre."


Congratulations to everyone involved in this masterpiece and I salute the film which is one of my personal favorites that continues to entertain and inspire me to this very day.



*Images taken from JawsMovieArchives.com.

Saturday, June 19, 2010

Dark Light - My New Film

Sorry for the lack of posts lately but I've been a little busy. As some of you know I'm a filmmaker. My first film 'Distortion' is starting to make the festival rounds. Right now I'm prepping for my second feature. It's an action thriller called 'Dark Light'. Needless to say this is going to consume most of my time so posts may in fact be a little on the light side over the next few months. I'll try and squeeze in a few here and there. I am still here just a little on the busy side.

Here are a few links for anyone interested in following the film:

The Official Website (which is coming soon) is HERE

The official Facebook page is HERE

The official Twitter is HERE

The official MySpace page is HERE

There is also a blog covering the production HERE

It is a very low budget film and I'll be making it (much like the last film) with no crew. So any and all support is greatly appreciated.

Sunday, June 6, 2010